Sunday, February 12, 2012

Anti-Catholic Bigotry at Grammys

Larry Busacca Getty Images

This photo of Nicki Minaj was taken at the Grammys in 2012.

I have one question: What if she had shown up with a man who painted his face and hands black?

I wouldn't hold my breath waiting for the media to call this out for the bigotry that it is. 

I really miss the days when people had enough decorum to not disrespect the world religions.  It was called tolerance.  Now, intolerance and bigotry rules, especially when it pertains to anything Catholic.

Update: Bill Donohue of the Catholic League has more:

Catholic League president Bill Donohue comments on what happened last night at the Grammys:
Nicki Minaj, fresh off looking like a fool with Madonna at the Super Bowl, showed up last night on the red carpet at the Grammys with a guy dressed like the pope. This was just a prelude of what was to come.

Minaj’s performance began on stage with a mock confessional skit. This was followed by a taped video depicting a mock exorcism. With stained glass in the background, she appeared on stage again with choir boys and monks dancing.

Perhaps the most vulgar part was the sexual statement that showed a scantily clad female dancer stretching backwards while an altar boy knelt between her legs in prayer. Finally, “Come All Ye Faithful” was sung while a man posing as a bishop walked on stage; Minaj was shown levitating.

None of this was by accident, and all of it was approved by The Recording Academy, which puts on the Grammys. Whether Minaj is possessed is surely an open question, but what is not in doubt is the irresponsibility of The Recording Academy. Never would they allow an artist to insult Judaism or Islam.

It’s bad enough that Catholics have to fight for their rights vis-à-vis a hostile administration in Washington without also having to fend off attacks in the entertainment industry. The net effect, however, will only embolden Catholics, as well as their friends in other faith communities.

Contact Barb Dehgan, VP, Communications and Media Relations, The Recording Academy:

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